Dynamics Of Charisma
This sparsely illustrated book is written from an ‘ever-filling stream-of-consciousness’, where notions of existentialism, spirituality, evolution, intersect with meditation, prayers, and conflicted states of mind. I channel these thoughts from no particular source, yet they correspond to the thought patterns of the collective mind. I explore epiphanies within an epiphany, and explore revelations within a revelation. I depict the mind’s vast capacity to endure stress and many moods – unraveling many truths along the way..
Two pieces follow, ‘Alien Mathematicss’ ( a speculative piece about organic mathematics, not unlike topology), and some philosophical prose and poetry.
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THE GUIDE TO SUPERHUMANISM
This illustrated story is a lecture from the future, given by a high-energy entity named Scribbles. He warns the people of Earth about the disastrous course their taking. He demonstrates how his people avoided a similiar fate by utilizing their tools and resources to align with the ultimate free energy system. This O.I.( organic intelligence) system encapsulates everything on the quantum level, and is the source of infinite ideas and technologies – a system with the potential to tackle any challenge and bridge any reality( whether physical or non-physical) – as much of that reality we can envision.
He offers an interactive computer program to help us percieve and co-shape a dynamic medium in league with the OI system. The possibilities are limitless, if people can appreciate the interdependence of everything.
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RADICAL SCI-FI MANGA
This is part of my surreal, experimental manga series( ‘Retro-futurist Monsters’, ‘Studcreep, Weakest of the Mightiest’). This fantastical, experimental manga-zine is about visionary social activism. The first chapter has a surreal political art gallery, the second and third chapters are manga tales, and the fourth is a collection of radical philosophical writings.
The 1st manga, ‘The Exploding Man’ is about a future fascist society that has long outgrown peaceful activism. But this seemingly orderly society is beset by an interdimensional plague: super-intelligent, microscopic armies wage apocalyptic wars on human bodies.
The 2nd manga, ‘Apocalyptic Utopia’, is more experimental and psychedelic( for the lack of a better term)and is executed from a variety of perspectives. It symbolically depicts the transformation of a conflicted, distant world, inhabited by various gods, devils, aliens, robots, superheroes, and the like. They overcome their differences, when they realize the great damage that their constant warfare has caused, . The manga-inspired artwork is surreal and trippy, not unlike Gary Panter’s “DalTokyo’, depicting kaijus, mecha, cyborgs, fairies and the rest in a more organic, yet symmetrical style. There’s a detailed summary following the comic.
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This book focuses on giant monsters/kaijus, and fanciful dinosaurs. The first part is a surreal art gallery of giant monster concepts( inspired by retro creatures such as Godzilla and Harryhausen-type behemoths). The second part is part of my surreal, experimental manga series, and the third is a short story.
The manga, ‘The Mighty Kencat'( part of my trippy, avante-garde manga series: ‘Radical Manga, and ‘Studcreep, Weakest Of The Mightiest’) is about how an ‘outmoded’ prehistoric beast holds his own in a hyper-competitve future world, where the behemoths are now made of steel.
The short story, ‘The Legend Of Kenzen’ is about a ghostly giant monster that heals and empowers anyone who sees it.
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STUDCREEP, WEAKEST OF THE MIGHTIEST’
This is part of my surreal, experimental manga series( ‘Retro-futurist Monsters’, ‘Radical Sci-fi Manga’). This edition focuses on Studcreep, of my alter-egos. He’s an ‘orgo-metric’, robot-like boxer( a ‘psyche-borg’) He’s the weakest of the superwarriors – but his very vulnerability may enable him to transcend all pecking orders. There are two tales exploring his ‘Everlution’. The first takes place in a boxing ring ring. Studcreep is the steppingstone for a ruthless prospect with seemingly overpowering skills. But when the all-compassionate Cubsters show up to cheer him on, Studcreep recieves a revelation, enabling him to see the true source of his foe’s unoppossable skills.
The second story, ‘The Devil’s Avalanche’ teams him with Boxing Sugary Nina, the all-powerful and all-loving goddess of my universe. They take on the challenge of climbing the ‘peakless mountain’. This area is heavily guarded by demonic warriors and warring elementals( ‘The Devil’s Avalanche’). This is the supreme test of a fighter’s abilities and mental prowess. No warrior or army has successfully climbed the mountain. But Nina and Studcreep must decide if whether their success depends upon finding the right strategy or power, or if it must be obtained in a deeper way…
The format is experimental and trippy, executed from a variety of perspectives. A detailed summary follows the story.
The third part features the storyboard for one of my discarded film projects: about a surreal boxing war between two giant monsters (their punches telepathically guide whole armies tanks, ships, and aircraft).
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SPENCER AND THE TANKER-BUSTER
This book has surreal boxing themes. It has a short story, and a surreal, trippy martial arts art gallery.
‘Spencer And The Tanker-buster’ is about how Spencer, a delicate, pure-hearted adrogynous being, follows his questionable dream to be Welterweight champ. But this dream maybe the impetus for something greater than excelling in a bloodsport of a future fascist society. This mechanized world is inhabited by organo-geometric beings, or semi-robots, called meten men. He seeks the help of his idol, Tanker-buster, a sensitive meten man. ‘Tanker’ is one of my alter-egos( Studcreep, from ‘Studcreep, Weakest Of The Mightiest’, and Spirit X, from ‘Bordergenius Manifesto’). Though, he’s essentially Studcreep in another reality.
Tanker had the potential to champ, but he lacks the killer instinct. But his’failure’ has left him unfulfilled and perplexed about his life’s purpose. Tanker spends time with Spencer, even though he discourages him from fighting. But when Fullmer, a hardened, terminator-like meten man challenges Spencer, Tanker is forced to act an unusual role: in-between a bodyguard, moderater, and guru for the threesome. The two friends and their common foe may share an even greater commonality afterall.
The psychedelic fight gallery depics an inter-dimensional form of boxing called ‘paradoxing’.
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